Monthly Archives: February 2013

Nurse Janet

Black leather excuding discipline and strictness.

Black leather exuding discipline and strictness.

Chris Muirhead admitted that he loathed his wife’s now replaced black leather handbag and boots, which is fair enough, but what I found amusing was his reason for feeling so – that they made her look like a district nurse. I guess it was something with how one ends up carrying a large handbag. But still, it set my imagination in motion. Since Chris is also an artist, I felt I should engage with the material in an interesting way. I approached it by imagining this hypothetical district nurse (I never met Mrs Muirhead so my imaginings were purely based on the donated leather objects themselves), and then I tried to paint a portrait of her using the boots and bag as my material. Both boots and handbag had features I could retain, even though by necessity I had to scale down the figure of the nurse. I cut down and folded the bag around one of its handles, creating a smaller version of the same where some of the forms just became much more prominent. The toes of the boots also got to stay, to keep the shape and function, but I bent the boots around their toes so that they also came down in size.

Always on the run between different patients, but also always elegant.

Always on the run between different patients, but always so elegant.

The rest of the figure was then constructed from the leather I had saved from the boots and the bag, apart from the tights that came from the bags lining. I wanted to keep it simple, so I basically just stapled the leather on a number of plywood cut-outs that I then attached to a backing board. This is also the reason she never got a head, but also that I wanted to let her retain her mystery, and that I preferred to imagine her seen from behind, dashing past with confident steps on her way to the next patient.

A clever owner could still use the bag to hide something, maybe the key to a secret hideaway, or messages...

A clever owner could still use the bag to hide something, maybe the key to a secret hideaway, or messages…

Object no. 18

Sugar carrier

What's left from last years Christmas.

What’s left from last years Christmas.

This mix of odd toys and pieces were the remnants of gifts from a devoted grandmother. I was asked if something could be produced to be given back, as a thank you for presents past, and also as a remembrance of all the joy the little one had found in the little toys. Tinkering around with these assorted plastics quickly and inevitably focused on function, and soon a hybrid vehicle had been assembled.

For speedy delivery of sugar cubes.

For speedy delivery of sugar cubes.

Propelled by a (maybe not so) strong spring action, this tricycle is intended for passing lighter gifts and solid refreshments, such as sugar cubes or toffees, around the tea table in an enjoyable fashion.We hope it comes into good use.

Object no. 73

Spark box

The electrician who dismounted this old fusebox took photographs of it, since he had never seen anything this old still in use.

The electrician who dismounted this old fuse box took photographs of it, since he had never seen anything this old still in use.

This old cast iron(?!) fuse box had actually been in use in Michael Scott’s house until very recently. He had painted it white himself since his wife hated it, but when the electrician finally swapped it for a newer (and most definitely safer) version, he still felt bad just chucking it away, but luckily enough there was now a refuge in the art repair shop. What struck us about it is probably the same reason why Michael liked it himself, its solid, early industrial and very material construction. The first thing we decided to do, even before the final design came to me, was to strip away all paint and brush it up, to reveal the dull lustre of cast iron again.

Sanding and polishing off paint with a dremmel is a lot of work, but in this case really payed off.

Sanding and polishing off paint with a dremel is a lot of work, but in this case really payed off.

It’s a beautiful object in itself, but I still wanted to do something with it. Since the function (it once had) is such an integral part of its design and look, I had to do something playing with the idea of electricity, and I also wanted to include the slight fear and disbelief we generally experience when encountering the attitude of Victorians towards safety (still encountered in many less affluent countries today). The half naked tangle of loose cables was added for this reason, to suggest the possibility of getting electrocuted. None of them are connected to high voltage of course, but two of them are connected – to a battery powered fairy light hidden inside the box. Now, if someone should take it upon them to play with the copper wires and accidentally or on purpose managed to bring the connected ones together, the cold blue light inside the box would briefly spark to life, suggesting a remnant of Victorian electricity still residing in this solid old iron troll.

43SparkBox2

Fairy light in Iron box.

Object no. 43